000			02998nam a22004695i 4500
001			978-0-387-32576-7
003			DE-He213
005			20250710083949.0
007			cr nn 008mamaa
008			100301s2007 xxu| s |||| 0|eng d
020			_a9780387325767 _a99780387325767
024	7		_a10.1007/978-0-387-32576-7 _2doi
082	0	4	_a534 _223
100	1		_aBeauchamp, James W. _eeditor.
245	1	0	_aAnalysis, Synthesis, and Perception of Musical Sounds _h[recurso electrónico] : _bThe Sound of Music / _cedited by James W. Beauchamp.
264		1	_aNew York, NY : _bSpringer New York, _c2007.
300			_aXXIV, 325 p. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_arecurso en línea _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	1		_aModern Acoustics and Signal Processing
505	0		_aAnalysis and Synthesis of Musical Instrument Sounds -- Fundamental Frequency Tracking and Applications to Musical Signal Analysis -- Beyond Traditional Sampling Synthesis: Real-Time Timbre Morphing Using Additive Synthesis -- A Compact and Malleable Sines+Transients+Noise Model for Sound -- Spectral Envelopes and Additive + Residual Analysis/Synthesis -- A Comparison of Wavetable and FM Data Reduction Methods for Resynthesis of Musical Sounds -- The Effect of Dynamic Acoustical Features on Musical Timbre -- Mental Representation of the Timbre of Complex Sounds.
520			_aAnalysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models.
650		0	_aPHYSICS.
650		0	_aINFORMATION SYSTEMS.
650		0	_aACOUSTICS.
650		0	_aMUSIC.
650	1	4	_aPHYSICS.
650	2	4	_aACOUSTICS.
650	2	4	_aSIGNAL, IMAGE AND SPEECH PROCESSING.
650	2	4	_aCOMPUTER APPL. IN ARTS AND HUMANITIES.
650	2	4	_aMUSIC.
710	2		_aSpringerLink (Online service)
773	0		_tSpringer eBooks
776	0	8	_iPrinted edition: _z9780387324968
830		0	_aModern Acoustics and Signal Processing
856	4	0	_uhttp://dx.doi.org/10.1007/978-0-387-32576-7 _zVer el texto completo en las instalaciones del CICY
912			_aZDB-2-PHA
942			_2ddc _cER
999			_c57187 _d57187