000			03778nam a22005175i 4500
001			978-1-4020-4097-9
003			DE-He213
005			20251006084504.0
007			cr nn 008mamaa
008			100301s2006 ne | s |||| 0|eng d
020			_a9781402040979
020			_a99781402040979
024	7		_a10.1007/1-4020-4097-0 _2doi
082	0	4	_a004 _223
100	1		_aO'Hara, Kenton. _eeditor.
245	1	0	_aConsuming Music Together _h[electronic resource] : _bSocial and Collaborative Aspects of Music Consumption Technologies / _cedited by Kenton O'Hara, Barry Brown.
264		1	_aDordrecht : _bSpringer Netherlands, _c2006.
300			_aXI, 311p. _bonline resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	1		_aComputer Supported Cooperative Work, _x1431-1496 ; _v35
505	0		_aConsuming Music Together: Introduction and Overview -- Music and Emotion in Real Time -- Sharing Music -- Sharing and Listening to Music -- Social Practices Around Itunes -- Choosing Music -- Distributing the Process of Music Choice in Public Spaces -- Promoting Social Interaction in Public Spaces: The Flytrap Active Environment -- Mobile Music -- Investigating the Culture of Mobile Listening: From Walkman to iPod -- Tuna: Socialising Music Sharing on the Move -- Car Drivers Using Sound Pryer - Joint Music Listening in Traffic Encounters -- Music and Dance -- Digital Dance Hall: The Fan Culture of Dance Simulation Arcade Games -- "Sort Drugs Make Mates": The Use and Meaning of Mobiles in Dance Music Club Culture -- hpDJ: An Automated DJ with Floorshow Feedback -- Consumption as Production -- Interaction, Experience and the Future of Music -- Hail to the Thief: The Appropriation of Music in the Digital Age.
520			_aListening to, buying and sharing music is an immensely important part of everyday life. Yet recent technological developments are increasingly changing how we use and consume music. This book collects together the most recent studies of music consumption, and new developments in music technology. It combines the perspectives of both social scientists and technology designers, uncovering how new music technologies are actually being used, along with discussions of new music technologies still in development. With a specific focus on the social nature of music, the book breaks new ground in bringing together discussions of both the social and technological aspects of music use. Chapters cover topics such as the use of the iPod, music technologies which encourage social interaction in public places, and music sharing on the internet. A valuable collection for anyone concerned with the future of music technology, this book will be of particular interest to those designing new music technologies, those working in the music industry, along with students of music and new technology.
650		0	_aCOMPUTER SCIENCE.
650		0	_aARCHITECTURAL DESIGN.
650		0	_aMUSIC.
650		0	_aSOCIOLOGY.
650	1	4	_aCOMPUTER SCIENCE.
650	2	4	_aCOMPUTER SCIENCE, GENERAL.
650	2	4	_aUSER INTERFACES AND HUMAN COMPUTER INTERACTION.
650	2	4	_aINTERACTION DESIGN.
650	2	4	_aMUSIC.
650	2	4	_aSOCIOLOGY.
650	2	4	_aPERSONALITY & SOCIAL PSYCHOLOGY.
700	1		_aBrown, Barry. _eeditor.
710	2		_aSpringerLink (Online service)
773	0		_tSpringer eBooks
776	0	8	_iPrinted edition: _z9781402040313
830		0	_aComputer Supported Cooperative Work, _x1431-1496 ; _v35
856	4	0	_uhttp://dx.doi.org/10.1007/1-4020-4097-0 _zVer el texto completo en las instalaciones del CICY
912			_aZDB-2-SCS
942			_2ddc _cER
999			_c60725 _d60725