000 03754nam a22005295i 4500
001 978-1-4020-5780-9
003 DE-He213
005 20251006084525.0
007 cr nn 008mamaa
008 100530s2009 ne | s |||| 0|eng d
020 _a9781402057809
020 _a99781402057809
024 7 _a10.1007/978-1-4020-5780-9
_2doi
082 0 4 _a10
_223
100 1 _aBraembussche, Antoon.
_eeditor.
245 1 0 _aIntercultural Aesthetics
_h[electronic resource] :
_bA Worldview Perspective /
_cedited by Antoon Braembussche, Heinz Kimmerle, Nicole Note.
264 1 _aDordrecht :
_bSpringer Netherlands,
_c2009.
300 _bonline resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 1 _aEinstein Meets Margritte: An Interdisciplinary Reflection on Science, Nature, Art, Human Action and Society ;
_v9
505 0 _aIntercultural Aesthetics: An Introduction -- An Intercultural Approach to a World Aesthetics -- Living - in between - Cultures -- Living (with) Art: The African Aesthetic Worldview as an Inspiration for the Western Philosophy of Art -- The Origins of Landscape Painting: An Intercultural Perspective -- Nishida, Aesthetics, and the Limits of Cultural Synthesis -- Identity and Hybridity - Chinese Culture and Aesthetics in the Age of Globalization -- The Rasa Theory: A Challenge for Intercultural Aesthetics -- Presenting the Unpresentable. On Trauma and Visual Art -- Visual Archives and the Holocaust: Christian Boltanski, Ydessa Hendeles and Peter Forgacs -- A Distant Laughter: The Poetics of Dislocation -- Where You End and I Begin - The Multiple Ethics of Contemporary Art Practice -- The Ethics of the Wound.
520 _aIn this book the editors brought together outstanding articles concerning intercultural aesthetics. The concept 'Intercultural aesthetics' creates a home space for an artistic cross-fertilization between cultures, and for heterogeneity, but it is also firmly linked with the intercultural turn within Western and non-Western philosophy. The book is divided into two parts, yet one can sense a clear unity throughout the whole book. This unity is related to the underlying subject that the different authors, each in their own way and from their own background, try to reveal. They use related, and overlapping terms such as 'the suchness of things', 'dancing and shaping lives', 'presenting a meaning beyond words, presenting the unpresentable, experiencing', in order to bring to our awareness the genuine importance of the non-conceptual, next to the conceptual. Several authors moreover take on a reflective, and at times even a self-reflective stance, pointing to the intrinsic relation between cultural aesthetics and ethics, making this book unique in its kind.
650 0 _aPHILOSOPHY (GENERAL).
650 0 _aAESTHETICS.
650 0 _aPHILOSOPHY, MODERN.
650 0 _aHUMANITIES.
650 0 _aANTHROPOLOGY.
650 1 4 _aPHILOSOPHY.
650 2 4 _aPHILOSOPHY.
650 2 4 _aAESTHETICS.
650 2 4 _aNON-WESTERN PHILOSOPHY.
650 2 4 _aFINE ARTS.
650 2 4 _aANTHROPOLOGY.
700 1 _aKimmerle, Heinz.
_eeditor.
700 1 _aNote, Nicole.
_eeditor.
710 2 _aSpringerLink (Online service)
773 0 _tSpringer eBooks
776 0 8 _iPrinted edition:
_z9781402045073
830 0 _aEinstein Meets Margritte: An Interdisciplinary Reflection on Science, Nature, Art, Human Action and Society ;
_v9
856 4 0 _uhttp://dx.doi.org/10.1007/978-1-4020-5780-9
_zVer el texto completo en las instalaciones del CICY
912 _aZDB-2-SHU
942 _2ddc
_cER
999 _c61436
_d61436